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Soek resultate: Roger Ballen

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Gesorteer volgens:  Publikasiedatum
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9783775748193

Nie-fiksie / Non-fiction: Fotografie / Photography

Nie-fiksie / Non-fiction  -  Fotografie / Photography
R 825
Roger Ballen's new rat-human character: a gothic allegory in immaculately composed photographs. Over the past 35 years, Johannesburg-based American photographer and painter Roger Ballen (born 1950) has developed a distinctively dark and eerie style―characterized by a simple square format and stark black and white―to create images of the South African social landscape and portraits of surreal vignettes. In his latest volume Ballen expands on his longstanding predilection for unsettling interiors and spooky characters. Roger the Rat follows the life of a creature whose body is human but whose head is that of a rat. Ballen's rat character interacts with mannequins, people and various objects in often cramped and oppressive rooms, in ways that defy explanation but seem at once humorous and sinister. This book gathers the series, made between 2015 and 2020.
Publikasiedatum: 2020-10-15
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9780500545218

Nie-fiksie / Non-fiction: Fotografie / Photography

Nie-fiksie / Non-fiction  -  Fotografie / Photography
R 940
Publikasiedatum: 2019-10-01
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9780500544648

Nie-fiksie / Non-fiction: Kuns & Argitektuur / Arts & Architecture

Nie-fiksie / Non-fiction  -  Kuns & Argitektuur / Arts & Architecture
R 735
The Theatre of Apparitions is a highly anticipated body of work by one of the most original image-makers of our times, whose remarkable artistic trajectory spans the past 40 years. This book is the culmination of his ongoing study of the connections between photography, drawing, the mind and the body. Created between the years 2004 and 2008, these 90-odd black-and-white images encourage viewers to delve deep into the darkest part of their psyches. The images in this new monograph were inspired by the simple act of drawing on windows - a practice that Ballen observed first-hand in many communities. From there, he started to experiment using different spray paints on glass and then `drawing on' or removing the paint with a sharp object to let natural light through. Finally, he photographed the results with a macro lens using black-and-white film. These black, dimensionless spaces effectively operate as canvases onto which Ballen projects pictorially his thoughts and emotions, creating, in effect, a theatre of the mind. The plates are separated into seven chapters or `acts', with each one introduced by a text written by Ballen himself. Carving out a realm that is both earthly and otherworldly, physical and spiritual, his work transcends all traditional concepts of photography.
Publikasiedatum: 2016-10-29

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