Search results: Olga Peretyatko

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Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
After the success of the award winning album Russian Lights (2017), internationally acclaimed soprano, Olga Peretyatko, returns with her stunning new album Mozart+

Mozart+ is a selection of some of Mozart's most beautiful concert and opera arias exceptionally performed by Peretyatko and the Sinfonieorchester Basel under the baton of Ivor Bolton.

Peretyatko has performed in some of the worlds most prestigious opera houses and concert halls including the Vienna State opera, Zurich opera House and the Berlin State Opera

The album also includes superb arias from operas by Tommaso Traetta, Giovanni Paisiello and Vicente Martín y Sole

Olga Peretyatko (soprano)
Sinfonieorchester Basel, Ivor Bolton


Mozart, Wolfgang Amadeus (1756-91)
Paisiello, Giovanni (1741-1816)
Soler, Vincente Martin y (1754-1806)
Traetta, Tommaso (1727-79)


Mozart: Chi sà, chi sà qual sia, K582
Mozart: E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro)
Mozart: Martern aller Arten (from Die Entführung aus dem Serail)
Mozart: Non più di fiori (from La clemenza di Tito)
Mozart: Or sai chi l'onore (from Don Giovanni)
Mozart: Traurigkeit (from Die Entführung aus dem Serail)
Mozart: Vado, ma dove? oh Dei!, K583
Mozart: Welcher Wechsel (from Die Entführung aus dem Serail)
Paisiello: Giusto ciel, che conoscete (from Il barbiere di Siviglia)
Soler, V M: Infelice ad ogni istante (from Il burbero di buon cuore)
Traetta: Finito è il mio tormento (from Antigona)
Traetta: Io resto sempre 'n piangero (from Antigono)
Traetta: Ombra cara, amorosa (from Antigona)
Publication date: 2019-02-08
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Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
On her new album “Russian Light”, Olga Peretyatko presents favourite arias and songs from her homeland Russia - by Glinka, Rimsky-Korsakov, Rachmaninov, Stravinsky and Shostakovich. Many of them are well known (Rachmaninov's Vocalise) but there are also unknown rare jewels on the album like the songs from Rachmaninov or the opera arias by Shostakovich. She teamed with the Ural Philharmonic Orchestra, one of the best orchestras in Russia, and excellent for this kind of repertoire with conductor Dimitry Liss, specialist for this repertoire.

The main focus of “Russian Light” falls on excerpts from operas that have left a deep imprint on Russia's national music. Among these are Glinka's Ruslan and Ludmila as well as Rimsky-Korsakov's The Golden Cockerel, The Snow Maiden and The Tsar's Bride. The latter piece represents a personal triumph for Ms Peretyatko, for she sang the role of Marfa under Daniel Barenboim to open the 2013 season at the Berlin State Opera. With her silvery timbre and solid mastery of coloratura she thrilled not only the audience but the critic of Der Tagespiegel: “Olga Peretyatko projects Marfa as a being so delicate and other-worldly that it strikes the knowledgeable listener to the core.”

Presto Editor's Choice June 2017
Opus Klassik Awards 2018 Winner - Solo Recording (Opera Arias)


Glinka, Mikhail Ivanovich (1804-57)
Rachmaninov, Sergey Vassilievich (1873-1943)
Rimsky Korsakov, Nikolay Andreyevich (1844-1908)
Shostakovich, Dmitri (1906-75)
Stravinsky, Igor Feodorovich (1882-1971)

Glinka: Grustno mne, roditel' dorogoy! (from Ruslan and Lyudmila)
Glinka: Ruslan and Lyudmila
Rachmaninov: How fair this spot, Op. 21 No. 7
Rachmaninov: Ne poy, krasavitsa, pri mne, Op. 4 No. 4
Rachmaninov: Spring torrents, Op. 14 No.11
Rachmaninov: Vocalise, Op. 34 No. 14
Rimsky Korsakov: Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2
Rimsky Korsakov: Hymn to the Sun
Rimsky Korsakov: Le Coq d'Or
Rimsky Korsakov: Lullaby of Volkhova (from Sadko)
Rimsky Korsakov: Marfa's Scene & Aria: In Novgorod from The Tsar's Bride
Rimsky Korsakov: Plenivshis rozoj, solovey, Op. 2 No. 2
Rimsky Korsakov: Sadko (opera)
Rimsky Korsakov: Snegurochka (The Snow Maiden)
Rimsky Korsakov: Snow Maiden's aria (from The Snow Maiden)
Rimsky Korsakov: The Tsar's Bride
Shostakovich: Chasy na ploshchadi zazhglis (from Cheryomushki)
Shostakovich: Moscow-Cheryomushki, Op. 105
Shostakovich: Ya v shkolu kogda-to khodila (from Cheryomushki)
Stravinsky: Nightingale's Song (from The Nightingale)
Publication date: 2017-06-09
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Nie-fiksie / Non-fiction: CD's / CD's

Nie-fiksie / Non-fiction  -  CD's / CD's
R 250
Russian soprano Olga Peretyatko was born and raised in St. Petersburg. She started her musical career at the age of 15, singing in the children's choir of the Mariinsky Theatre. She completed a course as a choirmaster and then enrolled to study singing at the Hanns Eisler-Hochschule für Musik in Berlin. Between 2005 and 2007 Olga Peretyatko was a member of the opera studio at the Hamburg State Opera. Engagements at the Deutsche Oper Berlin, the Berlin and Munich state operas, the Théâtre des Champs-Elysées in Paris, La Fenice in Venice, at the Rossini Opera Festival in Pesaro, and at the Festival La Folle journée de Nantes followed.

Olga Peretyatko gained international attention as Stravinsky's Rossignol in the acclaimed Robert Le Page production premiered at the Aix-en-Provence Festival in 2010, followed by performances in Toronto, New York, Lyon and Amsterdam. She achieved great success in her role debuts as Adina in L'elisir d'amore in Lille, as Lucia di Lammermoor at the Teatro Massimo Palermo, as Gilda in Rigoletto at La Fenice in Venice, as well as at the Festival Avenches.

Recently, Olga Peretyatko debuted successfully as Giulietta (I Capuleti e I Montecchi) in Lyon and Paris. In Lausanne she made her debut in the title role of Handel's Alcina, and in Amsterdam her role debut as Fiorilla (ll Turco in Italia). Substituting for a colleague at the last minute, her performance of Adina in L'elisir d'amore during the Pfingstfestspiele in Baden-Baden was highly acclaimed by the media and the public, as was her debut Lucia di Lammermoor at the Deutsche Oper Berlin. She also received the highest acclaim at the Rossini Opera Festival in Pesaro as Matilde di Shabran in summer 2012 which will be released on DVD.

Besides her opera career she continuously gives recitals and concerts throughout Europe. In 2015 Olga Peretyatko will debut as Violetta in La Traviata at the Opéra Lausanne, followed by a new production of the same title at the Festspielhaus in Baden-Baden.

Olga Peretyatko (soprano)
NDR Sinfonieorcheste


Acqua, Eva dell' (1860-1930)
Alabiev, Alexander (1787-1851)
Alyabyev, Alexander Alexandrov (1787-1851)
Arditi, Luigi (1822-1903)
Bellini, Vincenzo (1801-35)
Bizet, Georges (1838-75)
Gounod, Charles François (1818-93)
Mozart, Wolfgang Amadeus (1756-91)
Rossini, Gioacchino Antonio (1792-1868)
Strauss, Johann (1825-99)
Verdi, Giuseppe (1813-1901)

Acqua: La Villanelle
Alabiev: Solovej moj (The Nightingale)
Arditi: Il Bacio
Bellini: Qui la voce sua soave...Vien, diletto (from I Puritani)
Bellini: Son vergin vezzosa (from I Puritani)
Bizet: Vasco da Gama: Ouvre ton coeur
Gounod: Ö légère hirondelle (from Mireille)
Mozart: Ah se in ciel, benigne stelle, K538
Mozart: Deh vieni, non tardar (from Le nozze di Figaro)
Mozart: Non mi dir (from Don Giovanni)
Rossini: Le nozze di Teti - cantata : 9. Aria: Ah non potrian resistere
Strauss, J, II: Spiel' ich die Unschuld vom Lande from Die Fledermaus
Publication date: 2014-02-24

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